James M. Redwine

Martin Scorsese

Dear Mr. Scorsese

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Osage Hills State Park Falls

As Martin Scorsese ramps up production for his movie of David Grann’s book, Killers of the Flower Moon, concerning the tragic murders of members of the Osage tribe in and around my home town of Pawhuska, Oklahoma, I thought Mr. Scorsese might appreciate a little movie making advice. Here is some information he may find helpful.

Ten years before Pawhuska’s favorite son, Ben (Son) Johnson, Jr., won an Academy Award for his role as pool hall/movie theatre owner Sam the Lion in The Last Picture Show I sold him a Stetson hat. Son, I called him Mr. Johnson, was home for a visit in Pawhuska, Oklahoma in 1960 and I was working Saturdays at Hub Clothiers Men’s Store on Kihekah Avenue. Son had just that year had a gun fight with Marlon Brando in One-Eyed Jacks.  I am not suggesting I deserve any credit for Son’s later success but I am pretty sure the hat he wore in The Last Picture Show was the one I sold him; it looked about right for wear and tear.

In addition to that association with stardom I would like to point out that one summer during Vacation Bible School my Sunday School teacher at the First Christian Church, Violet Willis, had our class film a re-enactment of the Christmas story. It was in July and we threw up a manger of blankets and black jack posts on the banks of Sand Creek near the falls in Osage Hills State Park. I played a shepherd. Now I know there aren’t too many sheep in Osage County but I thought my portrayal was still pretty authentic. And it may be of note to Mr. Scorsese as he directs his new movie about Osage County that Violet both lived and worked at the Osage Agency and was herself Osage.

My memory is that Violet used an 8-millimeter hand-held Bell & Howell camera and that she cast my friend and classmate, Glenda Van Dyke, as Mary. Glenda was blond haired, blue eyed and ten years old but she pulled off the young Hebrew mother role quite well I thought. I wish Glenda was available for a casting by Mr. Scorsese now.

Another person who might merit consideration is my big sister, Janie. Much as Lana Turner was discovered at the soda fountain of the Top Hat Café on Sunset Boulevard in Burbank, California, Janie used to work at the soda fountain of Mom and Pop Curry’s snack shop next to the Kihekah (now the Constantine) Theatre in Pawhuska. Janie might be of more utility behind the camera as she is good at giving directions.

And although I do not wish to accentuate my own resumé, I think in fairness to Mr. Scorsese I should mention that I did have a role in my high school’s junior play. Further, I am generally available except when Peg has me doing some chore around JPeg Osage Ranch.

 

Nothing’s Plenty For Me

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The First Load, not The Last!

For those of you who read last week’s Gavel Gamut and are wondering about Peg’s and my cinematic futures let me report we have not yet received a call from Martin Scorsese. I know he has been busy. We remain both confident and hopeful. However, as we await stardom life goes on. Specifically, what we have going on is the interminable saga of our move from JPeg Ranch Hoosier in Posey County, Indiana to JPeg Osage Ranch in Osage County, Oklahoma.

Peg and I bought a cabin in Osage County last December. Our plan was to vacation there occasionally as we have numerous family members in Oklahoma. What we have discovered is the truism of the ancient admonition, “Where your treasure is there will your heart be also.” And as our modest treasure has ever so increasingly been “invested” in the cabin we have slowly shifted our focus to the Tall Grass Prairie. Let me say the simple pleasures described by Laura Ingalls Wilder in her Little House on the Prairie books have been put in jeopardy by our transition.

We are in the throes of our tenth round trip of 1,200 miles with a loaded trailer and pickup.  (This time we have graduated to a U-Haul, my guess is Atlas Van Lines is in our future). At first we amused ourselves with the bucolic image of The Beverly Hillbillies with junk piled high as they headed west. After a couple of trips the analogy became too apt. Now we feel more closely aligned with the fate of Sisyphus. We are not sure why, but it seems the completion of one trip only guarantees we must start another. And what we have discovered is that no matter what household item we need in one place is always in the other. We now have duplicates of everything from can openers to skillets.

Peg and I used to wonder how other people had such difficulty with everyday tasks such as how does one keep track of where they put what. Now we get it. However, the question we now most often ask one another is, “Why did you ever buy that?” We are continually discovering items that have not surfaced in years, many still in their original packaging. Of course, we must pack and move them anyway. This phenomenon has tested our ability to refrain from asking one another, “Can we just throw that away?”

I have found that a great deal of what Peg holds to be indispensable is really superfluous. And I resent her attitude about many of the items in my Man Cave; wait until we start on the junk in her Girl Cave. She does not understand that I might need some of what she calls worthless items someday. I suggest we ask the husbands of the world to fairly judge what should be placed in the Conestoga and what should be dumped along the trail.

What Peg and I do agree on is the mystery of how over thousands of years we have gone from maintaining what is truly essential to accumulating thousands of items we forget we have. George Gershwin’s old song goes:

♫ I got plenty of nothing

And nothing is plenty for me.

I got no car.

I got no mule.

Got no misery. ♫

Porgy and Bess (1935)

Well, paring down to the essentials is a fine thought but I must end this column as Peg is calling out to me to load another box onto the trailer.

Our Best Entertainment

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Many of you have read JUDGE LYNCH!, the historical novel Peg and I wrote about the lynchings of four Black men on the campus of the Posey County, Indiana courthouse in 1878. And several of you even participated in the making of our short movie about the murders. That was our first effort at movie making and probably yours too.

To those of you who volunteered to endure the cold, rain and tedium of my directorial debut, thank you! Please do not forget the compensation you received; wasn’t Shawnna Rigsby’s bar-b-cue good? You might be interested in some of the behind scenes manipulation I engaged in to get my friends to commit suicide, get shot, get chased by night riders on horseback and to even get lynched.

For example, early on I called our sons’s one-time boxing teammate and our good friend, Danny Thomas, and said, “Danny, I need some Black men to shoot and lynch on camera.Would you, your family and friends care to do that?” Danny did not hesitate. Then there was our neighbor, Chuck Minnette, who was minding his own business when I told him he surely must feel depressed and possibly even suicidal. Chuck thought I was kidding until we filmed his suicide scene. The scene involved Chuck firing a pistol with a blank cartridge near his head while my wife, Peg, laid on her back on the floor puffing on a cigar and blowing the smoke up toward Chuck’s face.

Chris Greathouse was called upon to have his neck broken by Danny Thomas and several “soiled doves” played their parts with such enthusiasm I will leave them unnamed. Jerry King generously offered his amazing Pioneer Village for several scenes and Jerry and his wife, Marsha, even donned their costumes of General and Mrs. Hovey. Dan Funk, whose father was a minister, played his preacher part convincingly. Dr. Bill Etherton and his wife, Judy, attended Dan’s frontier church and Dr. Bill along with Nurse Bonnie Minnette attended to “injured” patients.  Through it all the only person who actually knew anything about video cameras, Rodney Fetcher, managed to get the whole nineteen minute movie filmed and, along with Peg, edited. My eldest brother, C.E. Redwine, is a professional musician and he wrote and performed a marvelous score for the film. There were numerous other budding Academy Award winners who contributed time, talent, tips and immense patience; I appreciate you all!

Now, Gentle Reader, you may have noticed that I had little to do with the finished product. But let me suggest the same is often true in other movies where those who get the acclaim may not be those who do the real work. In my defense I just wish to state, “Hey, I wrote the book!”

Anyway, our little movie does tell the horrific story of murdered African Americans by the powerful white community of Posey County, Indiana in 1878 and brings to light the long hidden tragedy. I am proud of our effort and will always treasure the experience. However, it is not JUDGE LYNCH! that is the impetuous for this week’s column but Peg’s and my attempt to research the making of a full-length movie about the infamous Osage Reign of Terror that occurred in Osage County, Oklahoma where I was born.

Author David Grann has written an excellent exposé of the murders of numerous Native Americans of the Osage tribe in Osage County, Oklahoma in the 1920’s and ’30’s. Peg and I were at our cabin in Osage County when the casting call came out for extras for the Martin Scorsese directed film that will star Leonardo DiCaprio and Robert De Niro. While growing up in Pawhuska, the county seat, I often heard whispered rumors of these crimes. Kudos to Grann, Scorsese, DiCaprio and De Niro for having the courage to lift the veil from this great evil.

In preparation for this column Peg and I did go to the Osage County Fairgrounds on Sunday, November 10, 2019 for the advertised casting call for movie extras. Our purpose was to gain information about the making of the movie that we could include in this column. We were met by several extremely polite and pleasant people who were not authorized to answer our questions but they did suggest we might want to experience the casting call process from the inside by filling out applications ourselves. We did so and had an interesting and fun time. Of course, the staff at the door, the numerous tables and chairs, the clear directional signs and the four enclaves of people photographing, taking prospective extras’ measurements and interviewing the hundreds of hopeful locals was just a little different than the process I used for getting actors for JUDGE LYNCH!. My method was pretty much, “You are my friend. I need you to lynch someone (or be lynched), shoot someone (or be shot) or stand out in the cold rain and try to fathom my directions.”

In my opinion Peg is a possible Barbara Stanwyck double and after a beer or two I can find a remarkable resemblance between myself and Robert Redford. Of course, we both have movie experience. herefore, we are excited and waiting by the phone to be discovered. Hey, it happened to Norma Jeane Mortenson didn’t it? And while you may not know it, before Gone With The Wind, Clark Gable worked as an oilfield roustabout in Barnsdall, Osage County, Oklahoma which is the nearest town to our cabin. Can you say kismet? Further, since I am an experienced fellow director, maybe Marty will want another perspective for a scene or two. Next week we may dig a little deeper into the film noir that has Osage County, Oklahoma buzzing.

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